Sunday, March 15, 2015

BRIEF GLOSSARY OF SOME JAPANESE CULTURAL TERMS


ANIME and MANGA

Manga (漫画) are comics created in the Japanese language, conforming to a style developed in Japan in the late 19th century. They have a long and complex pre-history in earlier Japanese art.
JoJo's Bizarre Adventure-Famous Manga Comic

Anime (アニメ) are Japanese animated productions featuring hand-drawn or computer animation. In other languages, the term is defined as animation from Japan or as a Japanese-disseminated animation style often characterized by colorful graphics, vibrant characters and fantastic themes.

BONSAI

Bonsai (盆栽) or plantings in tray, from bon ( tray or low-sided pot) and sai  (planting) is a Japanese art form using miniature trees grown in containers. The purposes of bonsai are primarily contemplation (for the viewer) and the pleasant exercise of effort and ingenuity (for the grower).


GEISHA

Geisha (芸者 ), geiko (芸子) or geigi (芸妓) are traditional Japanese female entertainers who act as hostesses and whose skills include performing various Japanese arts such as classical music, dance, games and conversation, mainly to entertain male customers.

HANAMI (VIEWING CHERRY BLOSSOMS)

Hanami (花見, or "flower viewing") is the Japanese traditional custom of enjoying the transient beauty of flowers; "flower" in this case almost always meaning cherry blossoms ("sakura") From the end of March to early May, sakura bloom all over Japan. The forecast for the blooming of the flowers is keenly watched and documented each year.


IKEBANA

Ikebana (生け花) is the Japanese art of flower arrangement. It is a disciplined art form in which nature and humanity are brought together. Ikebana often emphasizes areas of the plant, such as its stems and leaves, and draws emphasis toward shape, line, and form.

NINJA
A Ninja (忍者) or Shinobi (忍び) was a covert agent or mercenary in feudal Japan. The functions of the ninja included espionage, sabotage, infiltration, and open combat in certain situations. Their covert methods of waging war contrasted the ninja with the samurai, who observed strict rules about honor and combat.

MAIKO

Maiko (舞妓) is an apprentice Geiko (not exactly same as geisha) in Kyoto, western Japan. Their jobs consist of performing songs, dances, and playing the shamisen (three-stringed Japanese instrument) for visitors during feasts.

MATCHA TEA

Matcha (抹茶) is finely milled or fine powder green tea. The Japanese tea ceremony centers on the preparation, serving, and drinking of matcha.


RELIGIONS

In Japan, less than 40% of the people identify with an organized religion although a much larger number participate in the rituals of worship at mainly Shinto shrines and private altars.
Buddhism (仏教) first arrived in Japan in the 6th century from the kingdom of Bakje in Korea. Many sects of Buddhism exist stemming from the original life and teachings of the Buddha.
Shinto (神道), is the indigenous religion of the Japanese people. It is defined as an action-centered religion, focused on ritual practices to be carried out diligently, to establish a connection between present-day Japan and its ancient roots.

SAMURAI
Samurai () were the military nobility of medieval and early-modern Japan. In Japanese, they are usually referred to as bushi (武士) or buke (武家). They are closely associated with the middle and upper echelons of the warrior class. While the samurai numbered less than 10% of Japan's population their teachings can still be found today in both everyday life and in modern Japanese martial arts.

SUMO

Sumo is a Japanese style of wrestling and Japan's national sport. The rules are simple: the wrestler who first exits the ring or touches the ground with any part of his body besides the soles of his feet loses. Matches take place on an elevated ring (dohyo), which is made of clay and covered in a layer of sand. A contest usually lasts only a few seconds, but in rare cases can take a minute or more.


SUSHI and SASHIMI

What is the difference? Good article here
Sushi: vinegared rice mixed with other ingredients
Sashimi: thinly sliced and usually raw fish
Sashimi

Sushi











TEA CEREMONY


The Japanese tea ceremony is the sparse, stylized ceremonial preparation and serving of matcha, powdered green tea. Zen Buddhist practice was a primary influence in the development of the Japanese tea ceremony.

TRADITIONAL THEATRE

Noh () is a musical drama that has been performed since the 14th century. It is often based on tales from traditional literature with a supernatural being transformed into human form as a hero narrating a story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians.

Kabuki   (歌舞伎) is highly melodramatic but strictly historical, combining form, color and sound into one of the world's great theatrical traditions. The actors are all male, and also play female roles.

Bunraku (文楽), is a form of traditional Japanese puppet theatre, founded in Osaka in 1684. Performers include puppeteers, chanters, and musicians.


WABI SABI

Wabi-sabi () represents a comprehensive Japanese world view or aesthetic centered on the acceptance of transience and imperfection, derived from Buddhist teaching recognizing impermanence, suffering, and emptiness. Characteristics of the wabi-sabi aesthetic include asymmetry, asperity (roughness or irregularity), simplicity, economy, austerity, modesty, intimacy, and appreciation of the ingenuous integrity of natural objects and processes.


Saturday, March 7, 2015

OUR JAPAN TRIP

Click to enlarge
Our tour of Japan is all booked. Flights, hotels and route are all determined.  The links on this blog page are to the places that we will be staying in each city. We will be landing at Narita, Tokyo Airport and then staying 5 nights in Tokyo, exploring the sights and sounds of the most populous city in the world. We will take a day trip to Kamakura to see the big Buddha. When we went to India several years ago, I had just finalized the last details of our itinerary when Cindy declared, “I want to see the big buddhas,” which were not to be found anywhere near our designated destination of Rajasthan. So this time, and a little belatedly, Cindy will get her wish. We then move on to Hakone from where we hope to get some better views of Mount Fuji while staying in a hotel where both John Lennon and Charlie Chaplin stayed (not together though). After Hakone, we take the bullet train to Kyoto where we will stay four nights with a side trip to the ancient capital of Nara. Next we wend our way to Mount Koya area. We will be staying in an ancient Buddhist temple complex for two nights in Koyasan. Next stop will be Kanazawa, an arts and crafts center. From there we will visit the quaint town of Takayama before returning to Tokyo to close out our trip.

Links to our previous trip blogs:
Morocco 2014 - Fez to Fez
Paris 2013 - Eiffel For Paris
Andalucia, Spain 2009 - I Love Lucia
India 2007-8 - Vishnu Were Here

Flickr travel albums:
California, 2014
Morocco, 2014
Paris, 2013
Las Vegas, 2013
Alaska, 2012
Chicago, 2012
England, 2011
Berlin, 2011
Venice, 2011
Canada, 2010
New York, 2010
Spain, 2009
India, 2007
India (portraits), 2007
Italy, 2006
Miscellaneous Travels

Martin's Professional Website:
Martin Saunders Photography (FotoMadison.com)



THE GREAT WAVE



“The Great Wave off Kanagawa” (circa 1831) is a classic woodblock print by the Japanese ukiyo-e artist Hokusai. It is the first and probably most famous of the artist’s series “Thirty-six Views of Mount Fuji.” This was one of the prints that inspired my earliest interest in Japanese art. I was enthralled by this depiction of the power of nature, the dynamic force of the flowing and crashing of the magnificent wave juxtaposed against the stillness of the distant holy mountain Fuji-san (Mount Fuji).
Back in the mid-seventies, I saw an exhibit of Japanese woodblocks at the British Museum and was amazed at the cultural sensibilities of the art form in which emotions were expressed through the textiles worn by the subjects rather than the Western paradigm of facial expression or bodily posture. I was drawn into the line, the color, and the idealized simplicity of the prints, which so reflected my naive perception of the culture itself.

See also this link to my Pinterest page of Japanese prints,
or this Pinterest link to (other peoples') photos of Japan


A few years ago, Cindy and I took a long weekend trip to Chicago and stopped at the Botanic Gardens. While visiting the gardens we came across a temporary exhibition of bonsai trees, which summarily interested the horticulturist in Cindy. 

As she viewed the restrained curvatures of the miniature arbors, I wandered off taking photographs as usual. I came upon a stall that was selling hundreds of small Japanese prints, which I proceeded to examine finding myself, once again, to be profoundly moved by the unfamiliar forms and the exotic subject matter. I was sitting meditatively waiting for Cindy, when a clear vision arose in me. When my wife returned, I asked her to simply listen to me for a few minutes as I outlined my inspired plan to her. I told her without a note of doubt or forbearing that over the course of the following year I was going to study Japanese print making and then we would go to Japan and seek out significant print makers.

My enthusiasm waned along with the events surrounding the Fukushima disaster and the trip was put on the back burner for a few years until a series of serendipitous events brought Japan back into the valence of my interest. We are now extremely excited to visit Japan. The focus of our visit no longer rotates solely around the woodblock prints. We are now also looking forward to viewing the relationships between ancient and contemporary aspects of the culture: of technology and ritual, and of locating the still places within the cauldron of humanity.